Post Fifteen – What is a solo?

What is a solo?
We talked about singing the scales to really make music, to help do this I would like to give you a melodic pattern to practice with. We will start with the G mixolydian mode. Remember the main chords in the key are G, C, Dm

Now let’s practice the G major arpeggio. Once learned we can add this to our improvisational repertoire. Practise playing the exercise up and down the fretboard as you sing the notes, as this will increase your familiarity and ability to utilise them while improvising.

The arpeggio grown progressively on each diagram. The third shape is the G b7th Arpeggio notice the sound of the b7th added, and finally the G b7th scale or Mixolydian mode.
Now when we go to the C instead of using the major voice I want you to modulate by using the same Mixolydian scale, starting on the 5thstring so it looks like this:
You will recognise the shape as your Dorian shape starting on the G. Modulation is an important tool where you use the same sound but change where it starts. Another popular modulation is to raise the whole song up two frets, try it.
One chord that compliments this scale and sound is C9
C9
Sing the arpeggio for the chord. And then sing the full C9th scale or Mixolydian mode. You can do this exercise with other positions and other sounds, and the more that become familiar to you the better.

 

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